Herald Scotland Interview & Photos

written by Ana on 17 September 2017

A DREADED sunny day so I meet Jessica Brown Findlay in a hotel near the cemetery gates. This morning she’s in the Caledonian in Edinburgh, opposite St Cuthbert’s (where Thomas de Quincy is buried, if you’re interested). It’s the morning after the night of the world premiere of her new film England is Mine at the Edinburgh International Film Festival. That’s the new Morrissey film, if you didn’t know.

She does enjoy a good cemetery, does Brown Findlay. “I love cemeteries. I find them comforting. There are so many in London, really beautiful ones. There’s a great one in Stoke Newington. I go when I have a day. I like to go to the Good Egg in Stoke Newington for brunch and then walk through the cemetery with my partner.”
She doesn’t have a day just now, though. There is a film to promote. Jessica, let’s get down to it. Morrissey. Tortured genius or knob? “Oh God … Well, it’s the music that has always got me. Certain things can be said of the artist …”

Brown Findlay is a massive Smiths fan. All-the-albums-on-vinyl-sized. And maybe the fan in her hesitated before committing to England is Mine in case it all went Smiths up. “But the script was so beautiful,” she says.
Plus, it wasn’t about the flowers and the band and the theatrics. The film, she explains, is about “the world and soul and mind of someone before that”.
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England Is Mine (Variety Review)

written by Ana on 07 September 2017

A biopic about the early days of Morrissey is a portrait of the artist as a young mope. It’s “authentic,” but where’s the fire?

“England Is Mine” is a biopic about the early days of Morrissey, the lead singer of the Smiths, that features two minutes of Morrissey singing and 97 minutes of Morrissey moping. There are Morrissey fans who would swear that makes it one of the most accurate biopics ever made. Yet even for some of us who are Smiths believers, the movie is a bit much. At certain points in the middle of it, you may think “I’m miserable now,” though not in the way that Morrissey had in mind.

In the ’80s, everyone loved to talk about how Morrissey was the most sensitive and misunderstood guy on the planet. He had quite an image: exquisitely depressed, a swooning (but celibate!) gay vegetarian wallflower, awash in the poetic romance of self-pity. I was shocked when I finally saw him onstage, because he was every inch a rock star — like a statue by Michelangelo who swayed, his dark hair tall but trim at the nape of the neck (a style as shockingly “straight,” in its way, as Bryan Ferry’s was in the early ’70s), with movements that expressed the reverent ecstasy that his lyrics kept telling you life had denied him. But then, that was the beautiful yin-and-yang of Morrissey: He fashioned terminal shyness into a rebel gesture, and made a lot of masochistically alienated too-smart-for-the-room kids feel as if they, too, had a voice.

His own voice was gorgeous, a sweetly plaintive tenor that could reach up and carry you away, to the point that it almost didn’t matter if his melodies all sounded like they were improvised around the same three notes (kind of like “Three Blind Mice” with variations). All that began to coalesce in 1982, when Morrissey, who had just turned 23, teamed up with Johnny Marr (only 19 at the time), who caressed his guitar into producing roiling sunlit waves of sound.
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Jessica Brown Findlay joins Morrissey biopic Steven

written by Ana on 21 April 2016

Steven, the biopic aiming to chart living grimace and talented singer/songwriter Morrissey’s life before musical stardom, has just added to its cast. Downton Abbey veteran Jessica Brown Findlay has signed on to play a key role.

Jack Lowden has the lead, playing the man known back in the day as Steven Patrick Morrissey, a teenager escaping his mundane existence to find fame and fortune by founding The Smiths with Johnny Marr in 1982 before striking out on his own in 1987. The film, to be directed by Mark Gill based on the script he wrote with William Thacker, will follow those early days. Findlay will be Linder Sterling, a Liverpudlian performance artist and musician who becomes one of his closest friends.

Gill is about to start shooting the film, with Entertainment One planning to release it in the UK either later this year or early next. As for Findlay, who was last seen in Victor Frankenstein, she most recently worked on comedy drama This Beautiful Fantastic, which has yet to announce a release date.